Friday, 28 November 2008

Conductors - A poem from 'Bird Head Son'


Albert Joseph, Santa Cruz, Trinidad, August 2007. Photo by A. Joseph


Conductors of his Mystery is a poem inspired by my father. Its in the new Bird Head Son collection, as well as on the Bird Head Son album, due in January 2009. The song was recorded in Paris last spring and features The Spasm Band joined by the great Joseph Bowie on Trombone and David Neerman on electric vibraphone. You can hear an excerpt from the song at http://www.myspace.com/adjoseph

These are the lyrics of the poem :

Conductors of his Mystery
for Albert Joseph

The day my father came back from the sea
broke and handsome
I saw him walking across the savannah
and knew at once it was him.
His soulful stride, the grace of his hat,
the serifs of his name
~ fluttering ~
in my mouth.

In his bachelor's room in El Socorro that year
he played his 8-tracks through a sawed-off speaker box.
The coil would rattle an the cone would hop
but women from the coconut groves
still came to hear
his traveller's tales.

Shop he say he build by Goose Lane junction.
But it rough from fabricated timber string.
Picka foot jook wood
like what Datsun ship in.
And in this snackette he sold red mango,
mints and tamarind.
Its wire mesh grill hid his suffer well tough.
Till the shop bust,
and he knock out the boards
and roam east
to Enterprise village.

Shack he say he build same cross-cut lumber.
Wood he say he stitch same carap bush.
Roof he say he throw same galvanize. He got
ambitious with wood
in his middle ages.

That night I spent there,
with the cicadas in that clear village sky,
even though each room was still unfinished
and each sadness hid. I was with
my father
and I would've stayed
if he had asked.
Brown suede,
8 eye high
desert boots. Beige
gabardine bells with the 2 inch folds.
He was myth. The legend of him.
Once I touched the nape of his boot
to see if my father was real.
Beyond the brown edges of photographs
and the songs we sang
to sing him back
from the sweep and sea agonies
of his distance.
Landslide scars. He sent no letters.

His small hands were for the fine work of his carpentry.
His fingers to trace the pitch pine's grain.
And the raised rivers of his veins,
the thick rings of his charisma,
the scars — the maps of his palms —
were the sweet conductors
of his mystery.
Aiyé Olokun.
He came back smelling of the sea.

Friday, 17 October 2008

Caribbean Review of Books



I was honoured this month to have 2 poems - 'Blues for Cousin Alvin' and 'Bosch's Vision'- both from my forthcoming collection Bird Head Son included in the cuurent issue of the acclaimed Caribbean Review of Books, the regions foremost literary journal. See the CRB website for more info on the issue, its definately worth subscribing to the CRB if you want to keep up with Caribbean literature's past, present and future.

Wednesday, 15 October 2008

Bird Head Son - cover



This is the cover from my forthcoming poetry collection 'Bird Head Son', due from Salt in November 08. The image is of my brother and I one Carnival Monday, up Ramkissoon Trace, San Juan, circa 78/79, getting ready to go into Port of Spain in tracksuits we got from England. Dennis is in red with the gangster lean.

Thursday, 18 September 2008

River Breakin Biche - from 'Bird Head Son' Audio

River breakin biche is a poem from my forthcoming collection 'Bird Head Son'(Salt 2008).
The poem speaks of 'breakin biche' or 'playing truant'. (Biche = fr -Bush) - So we left school and went to the river bush...it speaks of these adventures along the banks of the San Juan River...from San Juan Government Secondary.
I'll be posting more poems and audio here leading up to the books publication later this autumn, so check back often.




Saturday, 30 August 2008

Woman on the bass - Trinidad All Stars, Panorama Finals 1980

1980. All Stars playing Scrunter's 'Woman on the bass' with an arrangement by Leon 'Smooth' Edwards. One of the greatest Panorama performances.

Saturday, 26 July 2008

May spirits build nests in his beard



'I like to play fast. I get excited, and I have to sort of control myself, restrain myself. But when the rhythm section gets cooking, I want to 'explode'. --- Johnny Griffin - April 24 1948 - July 24 2008

"Unquestionably Johnny Griffin can play the tenor saxophone faster, literally, than anyone else alive. At least he can claim this until it's demonstrated otherwise. And in the course of playing with this incredible speed, he also manages to blow longer without refueling than you would ordinarily consider possible. With this equipment he is able to play almost all there could possibly be played in any given chorus." - Ralph Gleason

Tuesday, 1 July 2008

Snowdonia



Saturday morning
Climbing through Snowdon in a gust of fine rain
down from devil's kitchen
picking up crytstals
on the shores of Llyn Idwal

Sunday, 22 June 2008

Dream on Corbeau Mountain - Live in Studio



Dream on Corbeau Montain live in Studio de Meudon near Paris, France. You will find it on Anthony Joseph and the Spasm Band's forthcoming album 'Bird Head Son' to be released in fall 2008.


Featuring :
Anthony Joseph : vocals, Andrew John : bass, Colin Webster : saxophone
Adrian Owusu : guitar, Paul Zimmerman : congas / djembe, Paul Brett : irons / snare / cymbals, Craig 'Cigar' Tamlin : misc percussions, special guest : Joe Bowie on trombone, Jean Paul Gonnod : sound engineer, Julien : engineer assistant, Antoine Rajon : producer.
Filmed and edited by Martin Meissonnier and 'Campagne Première' crew


Thursday, 19 June 2008

Two Workshops I'm facilitating in July

The King Died, the Queen Died: Understanding Plot with Anthony Joseph

Saturdays 12th & 19th July 12 - 3 pm at Brighton Writers' Centre
£32/£30 concs, Friends of THE SOUTH £30/£28 concs

Plot at times takes on a mysterious quality. This workshop aims to dispel the myths and to show the universality of plotting in storytelling. Participants will work individually and in groups, examining the relationship of characterisation to plot, generating stories and taking part in writing exercises which will develop suspense and tension in their fiction.

To book and for more info : http://www.thesouth.org.uk/workshops.html#event8



Sounds of Poetry

Music and poetry course to commemorate the Windrush Anniversary.

Work alongside musicians to create work in commemoration of the 60th anniversary of the arrival of 492 Caribbean men and women on the Empire Windrush at Tilbury docks in June 1948.

Participants will explore aspects of identity, exile and diaspora and how the influx of Caribbean musicians in particular changed the cultural landscape of the UK, introducing Calypso, Ska and Reggae to Britain.

Tutor: Anthony Joseph

Wednesdays 9, 16, 23, 30 July
7pm – 9pm

Nettlefold Hall
Norwood High Street
West Norwood
London
SE27 9JX
[TRAIN] West Norwood

Number of places: 8
£50/£30 concessions


For more info and to book spaces contact :


Spread the Word
77 Lambeth Walk
London
SE11 6DX
Phone: (+44) 020 7735 3111
Fax: (+44) 020 7735 2666

http://www.spreadtheword.org.uk/index.php?id=events&event=565

Thursday, 17 April 2008

Cesaire



1913 - 2008


I was introduced to Aime Cesaire's work circa 1994, in particular Cahiers..., I came via the surrealist movement, into negritude and the depth of Caribbean feeling. In my most recent book, The African Origins of UFOs one of the 3 sections that comprise the text - that deals with a return home from exile is called 'Journal of a return to a floating Island', again inspired by Cesaire's seminal work of diasporic identity. A floating island, this is how I still see home; as an island afloat in the sea of memory. Aime inspired that title. He inspired us all, diasporic poets, not simply poetically but politically.
Came home tonight after guesting with the Heliocentrics at Cargo, and then Mulatu Astatke came on with his rolling soul and I knew that that was the closest we would get to see someone like Fela. Came home to read Aime Cesaire passed. May spirits build nests in his beard.

Wednesday, 19 March 2008

Spasm Band Textology


Spasm Band at Cargo March 2008, pic by Lexxie.
More pics from Cargo Mar 11 08

Early next week The Spasm Band go to Paris to play at the Banlieues Bleues Festival. The next day we go into a sky lit studio on the outskirts of Paris to record our new album with a 10 piece band which includes Joseph Bowie, Keziah Jones, Adrian 'Sun Blooz'Owusu and Jamika Ajalon. The legendary sophomore album blues is upon us but we are blessed by the weight of heavy music and liquid textology.

Tuesday, 26 February 2008

Rubber Orchestras

Presence Africane

I visit rubber orchestras – Ted Joans


Joan’s velvet
landscape
disorients
shadow/s
expresses its form
as electrical forests


Cesaire’s
virgins
of presence
promises
metamorphasis
initiates
itinerant parades
becoming
engines of cease-
less and fugitive

transperence

engines of
Egypt and suprise



-----------------------------------------------------
From a recent experiment with surrealist technique.
Unfortunately the formatting has been lost so you can't
experience the spacing and tabbing which is as much
part of the poem as the words themselves. I will try
to correct it, eventually. Although I think it also
works well as it is.
-----------------------------------------------------

A poem is a machine made of words - William Carlos Williams

Saturday, 16 February 2008

New Poem from 'Bird Head Son'

NURSE



Nurse?

Nurse who used to goal keep for Hilltop United?
Knock knee Nurse who brother was a gangster
an get shoot up down south in San Fernando?
Nurse from Febeau?
Nurse who used to ride with Loaf and Lochan?
An carry ting to chook man? Nurse,
he mother was a teacher.

He self.

Crossing by South Quay in front Royal Bank
where the drag mall used to be. He
poor and humble down in this ketch arse town
where man killing man like mapepire.
He neck like a straw in the bottle he holdin.

Rollin

It like a swan.
In the bitter light.

And the verbs of his eyes: sun wash that out.






..............................


This is a work in progress but it may get included in my fortcoming collection 'Bird Head Son'. More about the title another time. This was started in Trinidad last August, it was my 1st time back in 6 years and I saw an old badjohn I used to know, crossing a port of spain street in the late afternoon light.

Tuesday, 22 January 2008

Curtis




when I see curtis in august dat yellowbone day after de rain in five rivers

leaning against dat blue wood door and he show me he sore foot how it ban up

say it pain him like hell and creak the hinge so ah peep it how it bandage

and how foot fly does zoot there so in his earthen room with the linoleum and smoke

I never did know dat 2 month later I getting this message in winter

when the cold have teeth and the grey does come down like a ol’man resting after lunch.

it choke me right here so and a couldn’t ‘ven talk

never thought it would hol’ me so

but no matter how you stretch and bend it

family come first

that same curtis we did love the same rockers and roots

that was heavy down in 79

is he who uses to ram bass on eight track and tape tape gi mi

is he one dusk in new street by the ravine say fellas leh we go an get some dead

dead as in chicken fried! and had us walk all round the indian farmlands of tacarigua

past unfinished villages and the unprimed masonary of slow houses

red brick dust and the dirt road we trod

seeking the smell of burning oil

and creole seasoning

and was take curtis take us to some backyard place like a slaughtery

and buy up a few bag a frozen fowl

and we now glum and despondent but laughing all the way home about how we been got

dead mean chicken live or dead back then but dead mean curtis dead today

and today I put on my long coat and went out into the night to teach

and all the while feeling the rumble of this dead

this sudden tug as if curtis and I were attached by some tough gossamer web

that sudden so it snap

and he gone reeling

reeling

that august day I snap him leaning on the brown bottom door, he had plans

said he woulda break down the ol house he father built with my mother and rebuild it

because the wood was rot and the rain did leak and this land is ours

and I wondered then, wee poopa , but you foot

you foot like it weeping black rain and I know sorefoot from long time

when it so it doh heal

mother mabel from champs fleur had one a bad one that never heal

it use to run pus

and she often bouce it on a bench when she ketch spirt with goblet in hand

in church on Sunday night

is curtis he father give the keys to the truck when forklift did jook out he life on the port

and curtis turn man

see him they

he did always love car an mechanical thing

Tuesday, 15 January 2008

Dr Roi Kwabena 1956 - 2008






Dr Roi Kwabena born 23/7/1956 Trinidad died 9/1/2008 England

I never had the good fortune of meeting Dr Kwabena but I was introduced to his work via a mutual friend. Another Trini poet man done.

LETTER FROM SEA LOTS

“........only five pounds yuh send?
bread, sugar an’ milk gone up.........
buses doh run.... water still go
now severe-threat in charge ah de water in maraval
so we looking out fuh poison...

money hard to come by....we down here suffering
sure..we have gas, oil, menthanol....
....steel, an’ sugar exporting..
buh mangrove still vamping...
factories not hiring.....even race horse protesting....
crime rampant as jurors hunted
laws improvising an’ english q-cees hustling..
buh teachers’ money still owing...

yuh ask for news? any news is sad news.....
doubles-man an’ market vendors still on de run
kidnapping an’ family murders add to dis shame
while meh OLE gran still worried sick ‘bout she pension...

cable an’ wireful, wid sure-hell come back...
even powertake an’ brit grasp follow fashion
buh maxi still accept short change
yet parts expensive..so only insurance profittin’
as sprangers still roam in de night

de only difference is de den opposition
must now salute for de independence parade...

senator..ah sure yuh would ah like tha....”


Roi Kwabena (from Selected Poems)